Carl Barks drew some 256 covers for Dell/Western in the period 1948 – 1976.

Only 26 of these original covers are known to have survived.

In this section you can see and read about these very rare covers.

Steve Geppi (left) and American Disney artist Patrick Block, owner of the original WDC-135 cover from 1951. The photo was taken during the "Carl Barks Retrospective" exhibition at Geppi's Entertainment Museum in the summer of 2009.

Read Patrick Block`s amazing story about the cover in this section.

The unpublished version of the WDC-96 cover from 1948.

Carl Barks dedicating his first, unpublished version of the cover, to "Don" (Ault). The photo was taken during a meet-up with fans in California in 1970.

The WDC # 96 is the oldest original cover known to have survived. Later, in 1995, Steve Geppi commissioned Barks to color the cover.

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The cover was sold on Heritage Auction on August, 11 – 2006 for $29,875.

Spring 1948.

This is the earlist surviving comic book cover art by Barks.

The original for the final, published version of the WDC 96 does not exist anymore but, fortunately, the rejected, unpublished version does.

Western Publishing accepted the published cover on March 4, 1948, so this art must also date back to early 1948. The publisher asked Barks to redraw the cover to make Donald larger and eliminate the shadows.

Barks : ”I drew the cover twice because I didn`t get the proportions right the first time. I had the tub too high in the picture and needed more room to show the nephews and what he was doing”.

The art is the only surviving cover from the 40's. The only other surviving pieces of art from this decade are the 5ifth page from the Trade Rat story ( WDC 52 ) and 9 1/2 pages from the unpublished Silent Night story from 1945.

Unpublished artwork. The original are located in a private collection.

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May 5, 1951

Published artwork

The original artwork is in a private collection.

WANTED !! ( If original artwork for sale please contact this site`s owner : masnermail@adr.dk )

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May. 10`th, 1951

Surviving original artwork. Private collection – U.S.A.

The authentic story from the owner :

..>A good friend of mine (………) who owned a store in New York, bought it when it turned up in Poughkeepsie, NY. He was at a local comic book show, and a local fellow walked in with an armful of artwork..This was in the early 1990's. Poughkeepsie, of course, is where the Dell printer was located that printed all the Dell comics. The fellow who brought in the artwork`s grandfather was a printer there at Dell. He told that his grandfather watched all the art being printed there, and how everyone just tossed the art on the floor for people to walk on, or threw it out each day in waste bins after it was shot. One day, he grabbed a handful of art from the waste bin as he left work to take home to his kids. There were 8 duck covers in the lot of art. Four were non-Barks cover from this same period, and four were by Carl Barks. All from the end of year 1951 period. The four surviving covers by Carl Barks was : WDC 133, WDC 135, DDFC 356 and DDFC 367. When Carl many years later went to sign the WDC # 135 cover he commented directly to the page : “Oh..! – I never expected to see YOU again”..!

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"A Christmas for Shacktown"

May 24, 1951.

Published artwork. The artwork was later, in 1995, colored by Carl Barks.

Private collection.

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”Donald Duck in Rags To Riches”

May 24, 1951

Published artwork

Landesmuseum Mainz, Germany.

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March, 6 – 1953

Published artwork as Uncle Scrooge # 312 in 1998.

Earliest drawn Scrooge cover published.

The cover was sold on Heritage Auctions on November, 16 – 2011 for $10,157.

Alternative version. 

Rejected artwork finally published 45 years later as the cover for Uncle Scrooge # 312 in 1998.

The artwork has found its home in Denmark.

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August 8, 1953.

Published artwork.

Private collection.

Note the typical editorial nitpicking. Apparently, the editors sometimes felt that they needed to justify their existience and simply changed details from the original artwork to the published product. In this case, the two lower row of bricks inside the well and the string to the coin were redrawn. As usual, the shadows were also removed by the editors..

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December, 31 – 1953.

Published artwork. Private collection.

Sold at Heritage Platinum Auction May 16th, 2019, for $50,400.

..Even more editorial nitpicking. The original shadows was all removed. Because of the removal of the shadows under the nephews feets they were replaced further down and the legs of the chair simply vanished on the published cover..

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May, 29 – 1957.

Published artwork.

Private collection.

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The cover was sold on Heritage Auctions on August, 2 – 2007 for $18,522.

November 7, 1957.

Published artwork – In private collection.

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April 18, 1960.

Published artwork

The original artwork was for sale at Galerie Laqua in 2002 for $12.900.

Private collection.

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April, 8 – 1961

Surviving published artwork. In private collection – Germany.

The original artwork was for sale at Galerie Laqua in 2003 for $15,900. 

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April, 21 – 1961

Original surviving artwork published with some minor corrections.

In private collection. 

The original artwork was for sale at Galerie Laqua in 2003 for $4,800.

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Alternative cover version. 

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November 1, 1961.

The cover was sold at Heritage Auctions on August 11, 2006, for $21,510.

Original cover artwork. Overlay in colors.

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The cover was sold at Heritage Auctions on November 22, 2013, for $53,775.

Original cover – later hand painted by Barks in color.

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The cover was first sold in 2004 from Galerie Laqua for $10,200.

It was later sold again at Heritage Auctions on May 18, 2017 for 16.730 Usd. 

April 4, 1963

Published artwork

Private collection.

Oldest survived inked comic art featuring Gladstone Gander.

Original artwork for WDC 277.

Again, the editors removed the shadows from the published cover.

Try and see if you can find the missing shadows on the published cover by comparing it to the original..

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The cover was sold by Heritage Auctions twice : First on November 14, 2008, for $3,107 and again on February, 19 – 2015 for $10,157.

July 1, 1963

Published artwork

The original artwork is in a private collection.

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”Thrifty Spendthrift”

August 21, 1963.

Published artwork. The original artwork is in a private collection.

Go to Matti Eronen`s study of missing shadows HERE

Original artwork for US-47. Just like all other cover art from the 1960's the editors removed the shadows that Barks had inked. We don't know the purpose of this, but it does seem to be a quite odd thing to do..! 

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"The Billion Dollar Safari"

May 11, 1964.

Published artwork. The original artwork is in a private collection.

Published cover.

The original cover art was sold at auction in the 1980's.

Note that the background was removed by the editors at Western. And, again, the shadows were removed from the published cover.

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August 26, 1965.

Published artwork

The original artwork is in a private collection.

The original artwork was for sale at Galerie Laqua in 2011 for $17,250.

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January 2, 1966.

Published artwork

The original artwork is in a private collection.

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March 21, 1966.

”Heedless Horseman”

Published artwork

The original artwork is in a private collection.

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September, 30 – 1966.

The cover was sold for $825 at Russ Cochran's Comic Art Auction No. 1 in October 1980. It was sold again in 1989 for an unknown price.

The cover is now part of a private collection in Finland.

Original cover artwork for WDC # 319. According to "The Study of Shadows"  by Matti Eronen, the editors removed the shadows for the published comic. (see the red circles). It is, still to this day, a mystery why the publisher house did so..! Western Publishing removed all shadows from covers from the 1960's.

Go to Matti Eronen`s study of missing shadows HERE

Art submitted September 30`th 1966

Sold on Heritage Auctions, November 2019 for 40.800 Usd. 

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October 27, 1966.

Published artwork

The original artwork is in a private collection. 

The original cover art was sold in April 2025 from Heritage Auction for 84.000 Usd. 

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Published artwork

The only survived cover completely inked by Garé Barks.

The original artwork is in a private collection.

Published artwork.

Private collection.

A tricky one. Barks had stopped at Western, but somehow this drawing made it as a published cover some years later after his retirement. The inking is not by Barks, most likely by Larry Mayer.